Spotlight on Opera's distinguished faculty and staff

CINDY SADLER, Founder and Executive Director. Mezzo-soprano Cindy Sadler is well-known in the classical community as a singer, teacher, writer, and consultant; and increasingly, as a stage director. A busy professional singer and frequent lecturer on the business of singing, she brings current experience to her students. Most recently, she has appeared as Carmen with the Irving Symphony Orchestra, The Marquise de Berkenfeld in La fille du regiment with Austin Opera and Intermountain Opera Bozeman; as Gertrude in Romeo & Juliette with Austin Opera and Atlanta Opera, Marcellina in The Marriage of Figaro with New Orleans Opera, Mrs. Quickly in Sir John in Love with Odyssey Opera, and the Marquise de Berkenfield in The Daughter of the Regiment with Mill City Summer Opera. In 2016, she traveled to Caltagirone, Sicily to direct Suor Angelica and Gianni Schicchi and perform concerts at the Mediterranean Opera Festival before returning to Spotlight to direct Carmen. Ms. Sadler has appeared on the stages of Chicago Lyric Opera, Florida Grand Opera, Opera Pacific, Arizona Opera, Sarasota Opera, Des Moines Metro Opera, the Princeton Festival, San Antonio Opera, Fort Worth Opera, Kentucky Opera, Opera Santa Barbara, Austin Lyric Opera, Opera Idaho, New Orleans Opera, and the Hollywood Bowl, among many others. She has published over 100 articles in Classical Singer Magazine and is widely recognized for her Ask Erda advice column. She travels the country to consult with singers and lecture on singing careers in her Business of Singing, most recently to the Des Moines Metro Opera Young Artists Program, Sieur Du Luth Summer Opera Training Program, UCLA, the CoOPERAtive program at Westminster College of the Arts, Portland State University, and the Classical Singer Convention. After six years on the music faculty of St. Edward's University, she left to pursue her singing career fulltime. She has served as Executive Director of the Astoria Music Academy in Oregon, and this is her tenth year as Director of Spotlight on Opera. For more information, please visit,, and

KRISTIN ROACH, Music Director/Conductor.

A native of San Antonio, Kristin Roach is in demand across the nation as a conductor, pianist, organist, and vocal coach. She is Music Director of Alamo City Opera, now completing its fifth season. As Music Director of Spotlight on Opera, and Lecturer in Opera at Texas State University. She has prepared productions for the San Francisco Opera, San Diego Opera, Tulsa Opera, Utah Opera, San Antonio Opera, San Antonio Symphony, Brevard Music Institute, Aspen Music Festival, Breckenridge Music Institute, Taos Opera Institute, Opera Theatre of Rochester, Eastman Opera Theater, Buffalo Opera Unlimited, Spotlight on Opera, Texas Tech University, and Texas Lutheran University. Upcoming engagements include La Hija de Rappaccini with Alamo City Opera. 

     Reviews of Kristin’s performances include phrases like “revelatory” and “infectious high-spirits”.  She has appeared as piano soloist with the San Antonio Symphony, Mid-Texas Symphony, San Antonio Wind Symphony, and Eastman Philharmonia, and as chamber musician with Camerata San Antonio, Chamber Music Amarillo, Olmos Ensemble, Musical Offerings, and Cactus Pear Music Festival.  She has toured Europe with the Children’s Chorus of San Antonio and St. Mark’s Episcopal Church, performing on the historic organs of the Cathedral of Notre Dame, the Church of the Madeleine, Ely Cathedral, Bristol Cathedral and York University.  Her recordings include the Trinity Jazz Project, a self-produced collection of her original arrangements of hymn tunes, and classical works with the New World Symphony for Decca Records and with the Eastman Wind Ensemble for Sony Classical Records.  Her recording of chamber works by Miguel del Aguila with Camerata San Antonio, Salon Buenos Aires, was nominated for two Latin Grammy® awards.

     Ms. Roach received her education at the Eastman School of Music, earning a Bachelor of Music in Applied Music (Piano), the Performer’s Certificate in Piano, and a Master of Music in Piano Performance/Literature and Piano Accompanying/Chamber Music. 

DR. SAMUEL MUNGO, Artistic Director. Dr. Samuel Mungo has been involved in opera as a director, singer and teacher for more than 25 years, and is dedicated to fostering the growth of a true Music Theatre- combining the great music of beautifully sung opera together with complete dedication to character and truthfully created relationship. He has directed professionally around the world. His honors include Classical Performance of the Year for his Rigoletto, and Opera Production of the Year from the National Opera Association. Professional directing credits include Die Entführung aus dem Serail for Florida Grand Opera, Suor Angelica for Opera Plovdiv, Pirates of Penzance for Colorado Light Opera, Trouble in Tahiti for the Boulder Opera Project, and Rigoletto and Il Trovatore for San Antonio Opera. A deft hand at G&S, in addition to Pirates of Penzance he has staged Mikado, HMS Pinafore and Gondoliers. He has commissioned an opera from Henry Mollicone and Sheldon Harnick entitled, Lady Bird: First Lady of the Land, to premiere in 2016. As the Director of Opera Studies at Texas State University, he has created perhaps the most comprehensive undergraduate opera training program in the country, with interdisciplinary training from professionals in the Texas State Theater Department for Acting and Theater Tech, and the Dance Department for Movement and Dance. Known for his acting as much for his singing, his performing credits include Don Giovanni for Minnesota Opera, Falke in Die Fledermaus for Vancouver Opera and Utah Opera, Opera Theater of St. Louis as Junius in The Rape of Lucretia, Pasha in Die Entführung aus dem Serail for Opera Colorado and Danilo in Merry Widow for Sacramento Opera, Opera Grand Rapids and Knoxville Opera. Making his Carnegie Hall debut with Milos Bok's Missa Solemnis, he has sung with the St. Louis Symphony, Colorado Symphony, Utah Symphony and Orquestra Filarmonica di Lima among others.

JOSEPH MECHAVICH, Conductor/Vocal Coach. Joseph Mechavich is known for his exceptional artistry and infectious energy which he brings to every performance. His passion and commitment to excellence in the art form has helped him to forge strong personal and career-defining relationships with a number of opera companies and orchestras in the United States and abroad.  Maestro Mechavich has presided over productions of Porgy and Bess for Deutsche Oper Berlin, Nixon in China for Auckland Philharmonia/New Zealand Opera, Il barbiere di Siviglia for The Washington National Opera, Madama Butterfly for New York City Opera, Florencia en el Amazonas for Arizona Opera and Roméo et Juliette for Florida Grand Opera. “One of the best things about this production [Roméo et Juliette] is the conducting of Joseph Mechavich, who led the proceedings superbly...You rarely hear this score with the kind of big-boned force with which Gounod wrote it, but Mechavich let it rip, with first rate results.” (Palm Beach Artspaper).

Upcoming engagements for the 2016-17 Season include the world premiere of Riders of the Purple Sage for Arizona Opera, Turandot for Calgary Opera, as well as Madama Butterfly and Die Entführung aus dem Serail for Kentucky Opera.

BRUCE CAIN, Stage Director/Voice Instructor. Baritone Bruce Cain is an Associate Professor of Music at the Sarofim School of Fine Arts at Southwestern University, where he is the principle voice teacher and director of the Opera Theatre. His career began as an apprentice with the Chautauqua Opera and then on to Chicago, where the Sun-Times hailed his debut with the Chicago Symphony as "an eloquent soloist" and the Chicago Tribune joined in praising his "sensitivity" as an artist. Dr. Cain’s most recent operatic appearance was at the Natchez Opera Festival playing Papageno in Mozart’s Magic Flute, andin Chicago portraying Ford in L’Opera Piccola’s Falstaff. His other roles include Dr. Lomax in Austin Lyric Opera’s premier of Floyd’s Cold Sassy Tree, Belcore in The Elixir of Love, Dr. Blind and Falke in Die Fledermaus, Marcello and Schaunard in La Bohème, Guglielmo in Cosi fan tutté, and a gambler in Prokofiev’s The Gambler, with the Chicago Lyric Opera. He has often appeared with the Austin Symphony, the Austin Vocal Arts Ensemble, and the Georgetown Festival of the Arts, as well as in concert venues across the U.S. and at the famed Edinburgh Fringe Festival. Recent performances include: Mozart’s Requiem with the St. Edward’s University Madrigal Singers, the role of Schoenberg, in Southwestern’s premier of Jason Hoogerhyde’s The Color of Dissonance, and the role of Kraus in Mendelssohn’s Son and Stranger, with the Georgetown Festival of the Arts.


JOACHIM REINHUBER, Coach/Pianist. Dr. Joachim Reinhuber serves as Associate Professor of Piano at Texas A&M University, Kingsville, and is In high demand as solo and collaborative performer, clinician, and adjudicator in the US and his native Germany. His first teacher, Franz Calvelli-Adorno, was his grandfather. He studied with Gisela Sott (Frankfurt), Robert Levin (University of Music, Freiburg), John Perry (Rice University, Houston TX), and Nancy Garrett (University of Texas at Austin). Recent performances include Brahm's and Beethoven's first piano concertos, the Schumann concerto, Bach's concerto in D minor, the Stravinsky concerto for piano and winds, and Gershwin's Rhapsody in blue with the TAMUK Wind Symphony. In 2012 and 2014 he was the pianist for the Texas Music Educators Association's All-State Men's Choir. Between 2013 and 2015 he toured extensively throughout Texas and the United States, with a residency at the Keyboard Arts Festival in Pueblo, CO, and over 50 solo performances at, among others, the University of Texas at Austin, Texas A&M International University, Bowling Green State University, Youngstown State University, Malone University, Baylor University, and the University of Arkansas in Fayetteville. As a collaborator, he has worked with Marianne Gedigian, former principal flutist of the Boston Symphony Orchestra, the baritones Ronald Ulen and David Small, and the pianists Caroline Oltmanns, Zahari Metchkov, and Johan Botes. He has served as an adjudicator at the Sorentin International Competition in San Angelo, TX, the Laredo International Piano Competition, and the State Concerto Competition of the Texas Music Teachers Association in Huntsville, TX.

BRIGITTE BELLINI,  Voice Instructor.  Originally from Texas, award winning soprano and professor of voice at Texas State University, Brigitte Bellini, has recently returned to her home state after having lived and performed in New York City and Boston for 20 years. With over 20 years of teaching experience, she was one of the founding members of the voice faculty at The Actors Studio Drama School (as featured on BRAVO'S Inside the Actor's Studio). She has also served on the faculties of New York University, New York's famed High School for Performing Arts and The Horace Mann School, as well as maintaining a private studio of professional singers and actors. Since coming to Texas State University Ms. Bellini has been named Favorite Professor by members of the Alpha Chi Honor Society.

     Performance credits include appearances with The Colorado Symphony, Glimmerglass Opera, Tanglewood Music Festival, Sarasota Opera, Di Capo Opera Theater in New York City and Central City Opera, where she is featured on the their anniversary recording of THE BALLAD OF BABY DOE. San Marcos audiences have seen her as The Mother in AMAHL AND THE NIGHT VISITORS with The San Marcos Performing Arts Association and as the soprano guest artist in A SOUSA SPECTACULAR with the Texas State Wind Ensemble. A member of NATS and TMEA, she holds both Bachelor and Master of Music degrees from the New England Conservatory of Music in Boston, MA.

JOSH MILLER, Stage Director. Joshua Miller has served as an assistant director for Carousel (Glimmerglass Festival), La traviata (Wolf Trap Opera Company & The National Symphony Orchestra), Les Misérables (ZACH Theatre), Le nozze di Figaro & Turandot (Austin Lyric Opera), and Sunday in the Park with George (Austin Shakespeare). Dr. Miller's most recent directing credits include Le nozze di Figaro (University of Texas at Austin, Butler Opera Center), a double-bill of The Italian Lesson & Trouble in Tahiti (Opera Piccola of San Antonio), Sweeney Todd (Butler Opera Center), The Rape of Lucretia (Spotlight on Opera), Cesti's Orontea (UT Early Music Ensemble), Little Women (Spotlight on Opera), and The Magic Flute (Concord University). Miller is the 2014 recipient of the National Opera Association Stage Director Internship. Miller's production of Jake Heggie's Three Decembers was chosen as a winner of Opera America’s 2015 Robert L.B. Tobin Director-Designer Showcase. He and his design team presented their production concept to artistic directors and industry professionals during a special session of Opera America's annual National Opera Conference in Washington, DC.

GRAHAM YATES, Collaborative Pianist. Graham Yates found his element when he learned that even as a pianist he did not have to play all by himself. Since then he has appeared almost exclusively with singers, instrumentalists, choirs, chamber groups, pit bands and orchestras all over western Canada and central Texas where relocated in 2014. Mr. Yates was a proud faculty and staff member of the Armstrong Community Music School in Austin and now owns Cypress Piano Studio where he teaches over 30 students. His living room concert series, A Room With a Few, is entering its third season, attracting full houses to nearly all performances. Mr. Yates was president of the British Columbia Association of Community Music Schools and is a member of the Canadian Music Festival Adjudicators Association. He has adjudicated and offered master classes in Canada, Texas and Baltimore, MD. In June 2017, he directed a local high school piano ensemble performance at the Texas Music Teachers Association conference in Dallas. Mr. Yates completed a masters in piano performance at Brandon University, Manitoba, Canada with a focus on collaborative playing under Dr. Alexander Tselyakov, whose technical and emotional sensitivity has been compared with Horowitz's. Prior to that, he studied at Trinity Western University in Langley, British Columbia, Canada with Dr. Sandra Joy Friesen, who continues to inspire him to love all the strange and unusual kinds of music.

ALLAN ARMSTRONG,  Coach/Pianist  Allan Armstrong is a music faculty member at the University of Texas Rio Grande Valley.  He is the official accompanist of the Metropolitan Opera National Council auditions for the Colorado/Wyoming district and Rocky Mountain Region. He has served as a resident coach/accompanist and guest music director for Opera Colorado in Denver. In 2015 Allan was the production coach for Britten's The Turn of the Screw at Newfoundland's Opera on the Avalon. Also in 2015 he was the rehearsal pianist and coach for Bartok's Bluebeard's Castle featuring bass-baritone Samuel Ramey at the Colorado Music Festival in Boulder.  For nine seasons he was on the faculty of the Sherrill Milnes' VoicExperience Savannah Voice Festival. From 2010-2014 Allan served as a pianist/coach with the International Vocal Arts Institute in Blacksburg, VA.  Other recent credits include the world premiere performance of the abridged version of Lori Laitman's The Scarlet Letter; a gala concert for Opera Colorado with soprano Elizabeth Futral; and a concert tour of Japan with soprano Deleen Davidson.  In 2010 he was a featured solo pianist in a recital of the complete piano works of Pulitzer prize winning composer David Del Tredici at NYU Steinhardt School.  Visit for more information.

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